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Actor Print by Ichiyusai Kuniyoshi – Edo browse these categories for related items... All Items: Antiques:Regional Art:Asian:Japanese:Woodblock Prints: Pre 1837 VR: item # 868386 Please refer to our stock # ICHI 3777 when inquiring.
Ichiban Japanese & Oriental Antiques Post Office Box 395 Marion, CT 06444-0395 203.272.7392 Guest Book $495.00 |
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A fine Edo print by the Ukiyo-e master, Ichiyusai Kuniyoshi. The print is of an actor portraying a role in a Kabuki play – the characters name was Oboshi Yuranosuke. He is wearing a saffron orange garment and is seen standing under a blue lantern.
The framed print measures 21 3/8” high by 17” wide. The image measures 14” by 9 ¼”. The print has not been examined out of the frame but appears to be in excellent condition with fine color and registration – there is one small nick in the area just above the diamond shaped symbol on the left side. The mat surrounding the print is a linin like silk and the frame is a bamboo style – it is in excellent condition. We date the print to the late Edo period, circa 1815-1817. Utagawa Kuniyoshi , ca.1797 - April 14, 1861) was one of the last great masters of the Japanese ukiyo-e style of woodblock prints and painting and belonged to the Utagawa school. . Between 1815-1817 he created a number of book illustrations for yomihon, kokkeibon, gokan and hanashibon, and printed his stand-alone full color prints of "kabuki" actors and warriors. Have you ever wondered why Japanese prints of actors portray the actor with his eyes crossed. We were curious so traced the reason down. The mie pose ( mie, pronounced 'mee-eh'), a powerful and emotional pose struck by an actor, who then freezes for a moment, is a distinctive element of aragoto Kabuki performance. Mie means 'appearance' or 'visible' in Japanese, and one of the primary purposes of this convention is to draw attention to a particularly important or powerful portion of the performance. It is meant to show a character's emotions at their peak, and can often be a very powerful pose. The actor's eyes are opened as wide as possible; if the character is meant to seem agitated or angry, the actor will cross his eyes. In Japanese, the mie pose is said to be "cut" by the actor. |
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