The top of the jar has the upper side decorated in the same underglaze cobalt blue and a peaked finial for lifting the top. The underside of the lid is unglazed pottery. The jar is in very good condition with no cracks of chips. When we first studied the piece – and then again after we photographed it – we were concerned with the areas on one side that looked as if it good be dried glue holding some chipped pieces in place. However, after intense study with a ten-power loupe, we have decided that those tannish raised stains are dried oil that dripped from the top of the jar. Over the centuries these have dried rock solid – these add a charming feature to the daily usage of this always handy kitchen appliance.

The piece measures 5” to the top of the finial with the lid in place. From the rear of the back handle to the tip of the spout measures 4 ½” and the main body of the jar measures 2 3/8” diameter. There is a collectors or museum mark on the base – and a matching number on the inside of the stopper – both read “207”. We date it to the mid to late Ming Dynasty – 15th-16th century. The piece a matte finish as opposed to a glossy surface - this could indicate that it had been a burial item or recovered from a sea wreck.